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Monday
Sep062010

Resistance

This poem was modeled after Robert Graves Counting the Beats and was written in 

In Memory of Noor Inayat Khan and all those who still resist

 

 

 

One pale break, love

(they touch fingers) one pale break

“Will we meet tomorrow?” one pale break

Is this one last break

 

Counting the stops

Counting the dark train stops

The flagellation of time, in dark train stops

Parting always tempts fate

 

Wait for the door

Blank-faced, wait for the door

Soldiers smoke and laugh, wait, wait for the door

 Why that double-take?

 

Where will you be

(she whispers) where will you be

If I’m still free tomorrow, where will you be

No gloves, her hands ache

 

I will be waiting

Rue de Sang, I’ll be waiting

In the alley, behind the café, I’ll be waiting

Smile, love, for my sake

 

Counting the stops

Counting the dark train stops

The flagellation of time, in dark train stops

Parting always tempts Fate

 

Reader Comments (1)

Perfect, you play to your strengths in historical storytelling - what's more, your confidence in your art and ability is growing, and it shows! Wonderfully executed, making great use of Robert Graves' original rhythm and rhyme structure, this commemoration of the British operative who was a staunch supporter of the French resistance is a remarkable imagining. Punctuated with beautiful moments - I especially like "Counting the stops / Counting the dark train stops" which manages to be at once lyrical, and yet ominous. Beautiful poem.

September 6, 2010 | Unregistered CommenterSemaphore

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